Tapping Level 4
The best indication for a combination of hammer on from nowhere and tapping is when you play scale-based phrases beyond the twelfth fret: over there, the space is too little to play legato in a very comfortable way, for example.
In this part, you will practise the following aspects:
– hammer-on from nowhere combined with tapping
– muting on open strings
We suggest to play the proposed licks in all the keys and all the three-note shapes per string that you know.
Looking for a cover-all solution? View our Maestro course
4 videos, 1 Pdf score, 1 GPX score
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