- Pay close attention to the mid-tone bendings between 6 (C#) and b7 (D), as well as between 3 (G#) and 4 (A) grade. You will notice the use of the 6 and 3. This is not accidental, since these notes take the sonority of the lick away from the typical pentatonic flavour. Straight to the E Mixolydian mode.
- In the fifth bar, there are also some sixth jumps that you are free to execute either with the pick or alternatively with the hybrid picking technique.
Check this if you want to refine your hybrid picking technique!
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